Dungeoncraft: The World of Asecia

Last time I showed you the original map that started it all. Today I want to explain you what I’ve changed and why I have made that changes. And you’ll get more details on the campaign itself.

“The world is not enough”
Shortly after I’ve restarted my “gaslight fantasy campaign” project anew I realized that my initial map was not big enough. There were three ways to remedy that problem:

  • Create a whole new map
  • Change the scale of the map
  • Keep the scale of the map and add more lands around it

In the end I decided to go with option 3, although technically I will have to recreate the whole map either way. Since I lost the original map files, I will have to recreate the whole map in CC 3.0, allowing me to add more lands and make some changes. The major landmass of the original map will become a group of islands similiar to the British Isles and I will add some more islands and a bigger continent to the east.

“Rise of Nations”
In my first episode I wrote about the tribal origins of humanity and the rise of magic. But this was millennia before the actual campaign is meant to start. Over the years nations have formed, collapsed, where rebuilt, conquered, united and broken apart. Over almost a millenium the major political power on the eastern continent was the Empire of Cerynia. Cerynia started as a magocracy with the leaders of the three sorceror houses forming the ruling council, the Troika of Cerynia. Over time the lesser houses and the unmarked populace demanded more rights and after a long struggle that almost broke the empire apart, the Empire of Cerynia became a republic. 300 years ago the Republic of Cerynia lost a lot of their provinces because the once free territories wanted independence. During that time, the Principality of St. Michael, the Kingdoms of Tovenar and Rivenar were formed.

“Republic of Cerynia”
Cerynia is my version of Rome. During their golden age the Cerynians not only invented democracy but they also were the ones who formalized magic, created the first magic academies and made huge advances in the mundane sciences. But their nation grew to fast and so it started to fall apart, just like Rome did. But I didn’t want Cerynia to become a footnote in history, so decided that although it lost most of it territories, the Republic of Cerynia still continued to hold its core lands until now.

“Principality of St. Michael”
Another major power is the Princpality of St. Michael. Once it was part of the Cerynian Empire but the island nation has been granted independence during the most troubled era of Cerynian’s history. The empire was fighting on too many fronts at that time and so they decided to grant the Principality independence and keep it as an ally instead of getting another enemy. The first prince of the new founded nation was Michael d’Arellien, who is now worshipped by the Church of St. Michael. The principality is a constitutional monarchy with the prince as the head of state. The parliament consist of the Industrial Council, the Council of Mages and the House of Commons. The Industrial Council consists of 20 of the most influential industrialists, the council of mages consits of the highest members of the sorceror houses and the House of Commons is elected by all citizens of the Prinicpality in equal vote. The Principality is also the spearhead of the industrial revolution that still changes the face of Asecia.

The Principality was strongly influenced by the United Kingdom of our world. The Principality is much like a Victorian England with magic and weird inventions thrown in. The Principality is highly industrialized and the industrialists are trying to get even more influence. Mages have lost a lot of their former glory but they are still a power to be reckoned with. There is also a rather new breed of mages in the Principality that tried to combine the advances of technology with the traditions of magic, calling themselves Technomages.

“Kingdom of Tovenar”
Tovenar is the last remaining pure magocracy today. The majority of the people of Tovenar are farmers that owe fealty to their mage lords. The land is controlled by a lot of minor nobles that only report to their sorceror-king Kharad II. Kharad II has studied at universities all over the continent and is trying to turn his kingdom slowly into an industrialized nation much to the chargrin of a lot of backwater nobles who fear the change of the status quo. Recently Kharad II has moved his capital to the new city of Kharagrad which he planned himself and invited scholars from all over Asecia to teach and research at the Royal University of Tovenar.
I will write about Rivenar and the rest of the world later.

“History repeats itself, first as tragedy, second as farce. – Karl Marx”
Borrowing from real history has its advantages. Although it’s not as original as creating everything from scratch it’s much easier to get things feel natural. My world of Asecia is much like Europe during the Victorian times. Then take the noble houses of that time and replace them with mages and you’re almost there. Spice it with some weird science and steampunk and you get an unique mix. I am currently at a point where I think that this campaign could really work. My main problem with creating whole campaign settings has always been that I want to put it all in. I have thousands of ideas and I don’t want to let something out, so the result is a mess. Blogging about my ideas and reading your comments helps me to focus on the project andkeeps me from jumping from cool idea to idea.

“Everything in the world exists in order to end up as a book”
The big question remains: Should I try to write all my ideas down at the end so that it could be published as a book? Not that I intended to sell it in the first place, but I could make it available as PDF for free on the site, if there are enough people interested. What do you think? And do you think I should keep the format of the articles?

Roleplaying music – Five essential soundtrack albums

In my column “Roleplaying music” I want to write about the usage of music in tabletop roleplaying. If you start using music in your gaming sessions, there are five albums you should consider buying (if you don’t own them already).

Conan the Barbarian (composed by Basil Poledouris)
Conan the Barbarian is one of my favorite fantasy movies and this is partly because of the great soundtrack. The music is very epic sometimes even bombastic, but there are also quiet, melodic parts. It’s an full orchestral soundtrack, so no synthie sounds here. It’s highly recommended for any fantasy roleplaying game. But you should try to get your hands on the Varese Sarabande CD, since other versions like the CD from Milan miss a few tracks. From what I’ve heard the CD versions are quite hard to find, but you can get it on iTunes for around 6€. So what are you waiting for?

[audio:https://www.stargazersworld.com/mp3/conanthebarbarian.mp3]Conan the Barbarian – “Theology/Civilization”

Continue reading Roleplaying music – Five essential soundtrack albums

“Savage Worlds Explorer’s Edition” Review

Savage Worlds is a multi-genre roleplaying game created by Pinnacle Entertainment. So it’s no coincidence that the Savage Worlds rules have some similarities with the classic Deadlands rules. But other than Deadlands which comes with an original background, the Savage World rules are suited for any campaign. And if you don’t want to create your own campaign there are quite a few SW campaign settings available at your FLGS and you can get dozens of “one-sheet adventures” at the official PegInc site for free!

The “Explorer’s Edition”
The SWEE is the newest edition of the SW rules. It’s a 160 pages paperback book and of smaller size than usual roleplaying game rules. The advantage is that you can easily carry the book around and check out the rules with ease instead of hauling around a whole library of books. And in most cases you don’t need anything more than this book, your campaign, dice, and a deck of poker cards to play or run SW.
Continue reading “Savage Worlds Explorer’s Edition” Review

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